Otracami - Runoff (Oracle Cards)

Otracami - Runoff (Oracle Cards)

$15.00

[FG018]

Otracami LP2 đź’«

Available to pre-order on Bandcamp, Nina Protocol, Spotify, Tidal, Apple, YouTube + your preferred platform.

Pre-order the Runoff Oracle Cards:

  • 11 Oracle Song Cards + Booklet Zine

  • 4.75 x 2.5 inch cards designed Otracami + artwork by Elisa Malo + printed by Secret Riso Club

  • Download code included

  • Limited edition of 50 decks

Runoff is due out on March 20, 2026.

Quantity:
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Runoff occurs when land receives more water than it can absorb, generating excess currents that spill into ditches, rivers, and city gutters. Like its namesake, the second album from Otracami—the project of Brooklyn-based songwriter, producer, and composer Camila Ortiz—expresses the tension between containment and overflow. Through songs about fluctuating intimacy in love, family, and work, Otracami grapples with feelings of confinement, the desire for freedom, and the moment of escape in all its destructive glory. 

 

📸 Bella Week

On March 20, 2026, Figure & Ground releases Runoff, the second album from Otracami comprising 11 original tracks written and produced by Ortiz. She reflects, “Runoff felt fluid and flowing—still pulling murky stuff with it, collecting grime, but moving. And that feels like a lot of these songs too—emotionally just letting something flow but trying to figure out a place where a feeling can get absorbed or settle.” Otracami places these narratives confidently at the album’s forefront: “I was trying out leaving for the first time—people and jobs and situations with family. Sometimes that really worked and felt liberating, and other times I had to turn around and go back. It was a period of big experimentation.” 

This time of personal exploration coincided with Ortiz deepening her practice in music production and sound design, including contributing to the LA Philharmonic exhibit EVERY VOICE, composing the score for the play KLII, and collaborating with Claire Dickson in Myrtle—a project NPR Music praised for music that “casts a spell — and promptly breaks it…at once lovely and strange, a lullaby that lingers in discomfort.” Drawing from this work, Runoff dovetails her songwriting with full-band arrangements and exploratory production, weaving intricate vocal layers, field recordings, and samples throughout.

Album trailer:

📸 Bella Week

Based in Brooklyn, Otracami draws from both the landscapes of her life in New York and her childhood in Northern California, which was the setting for her debut album’s uneasy coming-of-age narratives. “The stuff I used to make felt like it was much smoother and that kind of feels like California, there’s this open, flat, uncanny smoothness to everything. New York feels murkier, there’s more friction out in the open, just in the way that people relate to each other. I think that made the music more angular and expressive.”

In New York, Otracami also connected with the collaborators that helped shape Runoff’s sonic world: the album features guitarist and engineer Andres Abenante (Birthing Hips, Jaybird Studio), drummer Jon Starks (My Trio, jondownload), bassist Jesse Bielenberg (Dora Jar, altopalo) and was mixed and mastered by Lee Meadvin (Kalia Vandever, Claire Dickson). “I wanted it to feel more loose, more lush, more live and alive. I feel like this record is more about the band and the arrangements that we made together—we had been playing together for a few years but bringing them this music felt like a turning point because it was more collaborative.”

Runoff reflects the profoundly human songs Otracami has honed as an emerging voice in Brooklyn's songwriter-composer community—vivid music that feels overfull with life, holding its shape even as emotion spills over.



Follow Otracami on Instagram, TikTok + YouTube đź’«

 

Credits:

Written and produced by Camila Ortiz

Engineered by Andres Abenante

Mixed and mastered by Lee Meadvin

Instrument list:

Vocals, guitar, synths, Camila Ortiz

Guitar, bass (track 1 & 2), Andres Abenante

Drums, keyboard, Jon Starks

Bass, Jesse Bielenberg